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"A Material World" at
the DeBlois Gallery, Newport, features an exciting collection of new work
produced by three well-known local artists, Emlen Drayton, Alice Benvie
Gebhart, and Meg Little. Throughout their careers, each of the artists has
explored the visual and tactile impact of non-traditional media in the
creation of their art. From Drayton's metal assemblages, to Benvie Gebhart's
glass-fusion collage, to Little's handmade wool rugs, their work reminds us
that art is not just an oil-and-watercolor affair.
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Emlen Drayton
is a Physical Science teacher and the Athletic Director at St. Michael’s
Country Day School in Newport, RI. Prior to teaching he was a performance
artist primarily in the stand-up comedy field. He has a BA degree from
Williams College where he majored in Chemistry and minored in art. Recently
he has returned to creating sculpture after being away from it for many
years. He is an assemblage artist, working mainly with metal objects, many
of which have come from the grounds of the Middletown farm he shares with
his wife and their four children.
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I grew up in a
family where my artistic endeavors were supported. My father, Chris Benvie,
was a prolific painter. People said I inherited my father’s talent but what
I believe I inherited was that drive that he had for the creative
process. As an artist I am most excited
when I can find
an interesting composition in my everyday surroundings and interpret that in
glass using light and vibrant color. I marvel at the shape of a cast shadow
on a roadside or the vibrancy of foliage at dusk. Kiln fired glass is the
media that reveals this beauty to its utmost. It has been a lifelong
ambition to merge the making of art and the teaching of art. My goal as an
artist is to bring about a visual appreciation of our surroundings in my
work. I include sketches and written words on the back of my work as a way
for the art patron to have a looking glass into my artistic thoughts and
process. My goal as an artist and a teacher is to foster an appreciation for
the visual arts.
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A question
often asked about Meg Little’s work is, “Do I put it on the floor or on the
wall?” Despite her fine arts background, Little herself shrugs off the
labels of utility vs. decoration. Her one-of-a-kind, hand-tufted rugs are
part of the long tradition which creates a celebration of the everyday,
marrying beauty to functionality in what may be the ultimate luxury of art.
She has won accolades, awards, and national media attention over the past
two decades. Justly praised for her powerful, sensuous use of color, she has
recently broken through to a new level with the complexity and depth of her
patterns. Little is also one of the rare textile artists who design and make
each rug themselves. “The work reflects the hand,” she believes. And,
through her hands, the age-old languages of color and symbol appear new
again.
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I was an oil
painter since the age of 13 and stained glass artist since 1990. A weekend
workshop with Peter McGrain in 2004 inspired a self-taught exploration into
kiln fired glass. This start has led to various exhibitions and
representation with galleries such as Brian Marki Fine Art in Portland,
Oregon. Continued education includes instruction with fused glass artist
Roger Thomas, 2007. |
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He is intrigued
and finds beauty in the way metals undergo a natural decay. Many of the
objects have enjoyed a baptism by fire in his fire pit after being
extricated from their wooden bonds. He draws much of the inspiration for
his work from the forms he observes in nature and from the herbs and
vegetables he grows organically in his family garden.
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Little accepts
commissions from clients who want special sizes or color palettes. While
every effort is made to meet precise measurements, her rugs are entirely
handmade, and therefore sizes will be approximate. For additional
information, please visit her website,
www.meglittle.com,
or her online portfolio www.meglittle.zenfolio.com |
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Born, bred and
educated in Rhode Island, I work as art educator and fused glass artist in
my home state. Recent travel throughout Japan, Italy and Ireland has
enhanced my artistic growth.
Recent
accolades include Best of Show win at Art League of R.I. Open Exhibit, 2007
and Invitational Members’ Exhibition at South County Art Association.
Professional memberships include GAS, IGGA and NAEA (National Association
for Education in Art).

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