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October 30 - November 22, 2009
CREATURES
Judi Israel
♦ Brenda Wrigley Scott
♦ David Witbeck
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Have you ever found
that you couldn't resist smiling at the sight of a funny little animal?
Similar experiences have inspired the work of three prominent Rhode Island
artists, Judi Israel, Brenda Wrigley-Scott and David Witbeck, featured in
DeBlois Gallery's November 2009 show entitled "Creatures".
Judi Israel, a
ceramics artist from Barrington, will exhibit a series of "aquatic
critters". As the artist relates, "My work reflects my love of nature and
my constant search for humor in the world around me. I look for whimsy and
silliness everywhere and hope my art will make people smile." Tiverton
painter Brenda Wrigley-Scott has found inspiration in the animals that
thrive in her rural surroundings. As she explains, "The wonderful variety
of animals - Farm and Companion - are my subjects. Capturing something
special in them is my challenge." Oil paintings by Pawtucket artist David
Witbeck complete the show. In characterizing his work, the artist says he
strives to keep his paintings "more iconic" while he "plays with color,
shape and composition without worrying about the details". Witbeck goes
on to say " I'm most pleased when people smile at my work. I take my art
seriously, but my serious intent is to create something that's
well-designed and fun to look at". |
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Judi Israel
Artist's
Statement
My work reflects my love of nature and
my constant search for humor in the world around me. I look for whimsy
and silliness everywhere and hope my art will make people smile.
While on this quest in October of 2007,
I received a copy of Smithsonian Magazine. There, on the cover,
was a dumbo octopus. Because I knew I had found something wonderful, I
saved the issue. Sometime later, I found a book of photographs by David
Doubilet called FishFace. That was all I needed (you can’t make up
faces like that).
That was the inspiration for this series
of aquatic “critters.” Some are very real and some…not so much. You
decide and I hope you smile too.
Judi Israel |
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Spotted
Hawk Fish
Judi Israel
Ceramic
Sculpture |

Angel Fish
Judi Israel
Ceramic Sculpture |
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Brenda Wrigley Scott
Artist's
Statement
I have been working in the Ceramic Arts
for more than 25 years, concentrating on surface decoration. I am now
returning to painting as an expression of the pleasure derived from my new
rural surroundings. The wonderful variety of animals-Farm and Companion-
are my subjects. Capturing something special in them is my challenge.
Artist Statement-
Brenda Wrigley Scott
October 2009. |

The Pointers
Brenda Wrigley Scott
Acrylic Painting |

Rooster, Tail Feather
Brenda Wrigley Scott
Acrylic Painting |
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David Witbeck
Artist's Statement
I’ve
never been a fisherman, but have always been fascinated by commercial
fishing and the sea. As a kid, growing up a couple hundred miles inland, I
always drew and painted boats and lighthouses and read every sea story in
the school library. As an art student at Pratt Institute in the ‘60s I
spent many hours, when I should have been going to my morning painting
class, taking photographs at the Fulton Fish Market, so many that I became
a photographer instead of a painter. As part of my subsequent checkered
job history I drove a fish delivery truck for a couple years. After moving
to Rhode Island, graduating from RISD and becoming a freelance
photographer I went out on fishing boats whenever I could arrange it.
When I started painting again a few
years ago, after a thirty-year hiatus, photographs I took on trap fishing
boats out of Sakonnet Point were the impetus for my first fisherman
paintings. Those early paintings showed more of the process of fishing:
hauling nets, etc., but that’s subject matter better suited to
photography. I wanted my paintings to be more iconic so I could keep the
flavor of the sea, but play with color, shape and composition without
worrying about the details of how fishing is accomplished, or even what a
fish (or a fisherman for that matter) really looks like.
Another recurring theme in my work is
that of seabirds and rocks and the contrast between the temporality of the
gulls and shags and the timelessness of the boulders or glacial erratics
that they perch on. When sailing near the rocky islands and outcroppings
that seabirds use as rookeries in the summer, I imagine that the shrieking
of the gulls, the stench of dead fish and ammonia are the sounds and
smells of the beginning of time. I love the poses of the comically
sinister looking cormorants, their wings outstretched to dry in the sun.
As a young art student I took myself
and Art way too seriously. Having come back to painting relatively late in
life I now understand that few artists have anything earth-shaking to say.
I’m most pleased when people smile at my work. In the paraphrased words of
the late Edgar Whitney, a respected art educator and watercolorist, an
artist is a shape-maker, a symbol-finder and an entertainer. I take my art
seriously, but my serious intent is to create something that’s well
designed and fun to look at.
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Felix
David Witbeck
Oil Painting |

Kenneth
David Witbeck
Oil Painting
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