 | Sean Brady
- Sean is interested in our desire for novelty and our contradictory
attraction to the familiarity of everyday objects and images. His
objective is to explore the Human Condition Through the re-creation and
presentation of familiar ideas. The artwork establishes a connection
between the viewer from the production and presentation of things that
look like other things. |
Hollianne Wood-Caruthers
- Holly is personally invested and uniquely focused on work that feels
meaningful and authentic to her sensibilities. Holly’s creations are
open explorations rather than statements of purpose. Meaning is found
in the search that keeps her moving forward as an unabashed,
enthusiastic artist. |  |
 | Scott Francoeur
- While riding high on emotion, Scott makes marks on the surface using
a palette of intuitive color and texture. Each piece then takes on a
life all its own. He allows conflicts to resolve themselves; relying on
the complex relations between texture, color, line and intuition to be
the building blocks of each painting’s individual vision. |
Jennifer Jope -
Jennifer is an award winning fine artist and photographer specializing
in conceptual portraiture. Her work is romantic, emotional, and poetic
as her photographs tell the quiet part of a story. The affecting
presence of her work creates balances between unconcealed realities and
an imagined poignancy. |  |
 | Dan Kern
- Dan relies on the specific and surreal to apply each dot, stroke and
line to his illustrations. Rooted somewhere in various realities, each
of his pieces allows you to see what patience and imagination can do
with an un-suspecting piece of paper. |
Maggie MacLellan
- Maggie creates work that ranges from detailed portraits of animals to
whimsical creatures. A solid understanding of animals pushes her work
forward as she spent years as a Veterinary Tech. Many of her works are
created in Paper-Mache, chosen for its flexibility and lightness. |  |
 | Filipe Miguel -
Filipe has an artistic curiosity that leads him towards multiple
artistic mediums. His process encourages him to search for new
challenges in each piece. Fil’s encaustic pieces exemplify everything
about the moments he feels inspired to create. Fil continues to search
for visual poetry in every piece while pushing the limits of the chosen
materials. |
James Moran
- James is drawn to the interplay, and occasional collision, of form
and color. His polychrome artworks invite the viewer to enjoy the
seductive shock of the new. |  |
 | Denn Santoro - My
photos generally concentrate on the interplay of angles and shapes and
light. I compose with a point of view that is intended to confound the
viewers’ normal perspective and view of the world. I enjoy playing with
the viewers’ perceptual tendencies in ways that make them engage with
the image as they try to force it into a more usual perceptual
framework. I do this in various ways from using radical perspectives,
tight and unusual composition, subtle lines that skew the perspective
in a way the mind tends to reject and readjust, placing the focus in
unexpected places or the simple inclusion of odd detail. I often create
photos that are an abstraction of the subject such that it is hard to
recognize at first or at all. The viewer, offered a perspective they
would be unlikely to see in everyday experience, should engage with the
subjects of the work and, hopefully, see them in a new way. I try and
make my work visually interesting and perceptually difficult. I do
almost all of my composition in-camers. I rarely crop my photos nor do
I modify them in any other way from the actual result of what the
camera captured. No digital or other manipulation is involved. The
prints are actual photo prints (silver halide type processing
C-prints), not digital prints. |
Meghan Dinsmore-Talbot has a beautiful new baby, so her art will speak for her. |  |